Houston Commercial Photographer

Houston Commercial Photographer

I am a Houston commercial photographer with 20+ years of industrial photography experience. I’m available for work across the Texas Gulf Coast, including Galveston and offshore.

I serve most industries and verticals, including energy, oil and gas (O&G), manufacturing, retail, health care, hospitality, small business, entertainment, aerospace, technology, financial services, trade, construction, chemical, and food service. I also love working with agencies and design groups.

You’ll find me out there every day documenting innovation, workforce dedication, industrial operations, construction, demolition, transportation, fabrication, production, drilling, maintenance, monitoring, demobilization, and decommissioning.

My passport is current if you need to send me to other countries.

Table of Contents

Commercial Photography Examples

For industrial and commercial photography examples, see my people at work portfoliolocation photography portfolio, and product photography portfolio.

My work blends humanity, culture, business, and art—although I don’t like to call myself an artist. I think you’ll see the proof in my commercial photography portfolios.

Commercial Photographer Fees

My fee for short-term hourly commercial projects where usage doesn’t apply is typically $300 per hour.

I have a one-hour minimum for in-studio product photography and a three-hour minimum for most on-location work. Some location work requires a four-hour minimum. Usage fees may apply for companies with annual revenues > $500M.

For more pricing information, check out my commercial photography fee details. Or, for a custom quote, contact me today with your project details, and let’s get started.

Superior Results

My superior and authentic commercial photography will help you achieve your storytelling goals. Specifically, my dynamic photography of your facilities, employees, staff, and visitors will highlight your brand story.

These image assets will communicate your message in ways that words alone cannot. They’ll reflect the reality of your human-centric business using epic scale and unique perspectives to highlight your value-added offerings.

Rob was very easy to work with and it was clear that he takes a lot of pride in his work, making sure everything is set up properly to get the best photos. — Selling Time

Also, when you use “real photos” instead of stock photography, your authenticity will boost trust with your customers who view those images on your website, social channels, and print media.

Studies show that commissioned photography improves clickthroughs and visitor engagement compared to companies using stock photography. For example, MarketingExperiments ran a study where a generic male founder photo outperformed a stock photograph of an attractive smiling woman. Authenticity matters.

I’ll also research extensively and learn everything I can about you and your business. And that’s just one example of how we’ll collaborate more closely as a photographer and client.

Suppose you’re looking for a school, university, office, lab, warehouse, distribution center, plant, factory, refinery, port, storage facility, data center, TELCOM, stadium, assembly area, terminal, depot, offshore oil rig, onshore oil rig, machine shop, construction site, quarry, water treatment facility, shipyard, farm, ranch, hospital, or industrial facilities photographer. In that case, I’m ready to work on the ground or take to the air via helicopter or drone if you require aerial photography.

My professionalism, graciousness, preparation, and flexibility also ensure a successful, stress-free, and no-hassle project.

I’m your improvising, pivoting problem solver and long-term partner. I’ve got you.

Photographic Process

Part of my process is to understand your work throughout the whole lifecycle. That helps me offer visual insight into your project from your perspective rather than just sharing views through a photographer’s camera.

Whether you need candid, gritty, clean, or exacting images of machinery, facilities, or workers, I have the requisite experience required to elevate your project’s visuals.

I’ll also research your business and your competitors, ensuring exceptional collaboration and understanding. We’ll typically start with an email exchange outlining your project, then discuss your budget, and finally, we’ll finish with creative calls discussing your end treatment.

Specifically, I’m familiar with best practices for visually documenting processes, including planning, engineering, manufacturing, and showcasing your in-house technology.

You should expect inspiring work, timely communication, and guaranteed attention to detail instead of empty promises or marketing lip service.

Storytelling

My refined photographic storytelling approach engages viewers and offers both insight and context. These photojournalistic “photo essays” effectively communicate editorial, documentary, and branding-based objectives using authentic, accurate, and honest coverage.

Every image works together, while storytelling provides information and impact using context, real subjects, and action. Photographing scenes with wide, middle-range, and tight perspectives often accomplishes this approach.

I was immediately drawn to [Rob’s] style- classic, clean and timeless photos. Nothing trendy or gimmicky- they were photos that told a story. — Alexis Bautista

When I create your photos, I’ll share the who, what, when, where, and why. That means I’ll carefully consider both subjects and your company brand, the objects or actions featured, how the time of day shares context, how locations provide a sense of place, and how the storytelling elements tie in with your brand identity.

This also means that I’ll create photographs representing your organization and showing that you understand your audience. For example, we might address physical, psychological, and geographical considerations in addition to race and gender. Your creative direction will influence those goals and my approach.

People First

My commercial photography usually has a people-first focus, where the photos are more about the person doing work while the work performed is of secondary importance.

I’ll work with your machinists, mechanics, servers, workers, drillers, roughnecks, engineers, electricians, equipment operators, employees, technicians, plumbers, physicians, contractors, farmers, ranchers, and management team to deliver authentic photographs that show real people doing real things that (look like they) really happened.

Preproduction

I offer preproduction services when your project requires them. Careful preproduction helps ensure your project runs smoothly.

I can attend or provide video-based creative briefs, in-person planning meetings, subject matter research, timeline organization, on-site reconnaissance (recce), shot list refinement, budget planning, storyboarding, mood board creation, and model or talent selection through collaboration.

These services help ensure that strategic and tactical plans are perfectly aligned with your creative brief and corporate direction.

Location Scouting & Management

Whether you need me to visit your site for evaluation, planning, or suitability analysis, or find the perfect location for your preferred visuals, I offer location scouting under my commercial photography and videography umbrella.

I’ll identify and assess locations that will work best visually and practically, whether they’re indoors or outdoors, bustling or serene, unique or common. When budget is your driver, I can also assist with smartphone location scouts conducted by you, your management team, or your employees.

Location scouting can be time-consuming because it includes research, travel, site evaluation, and documentation. If you want me to also handle your location management, I may need to arrange permits, oversee agreements, coordinate with property owners and authorities, manage logistics, anticipate and mitigate risks, and address unforeseen challenges.

Post-Production

When your project is complete, I’ll first select and correct your best photographs. Then, I’ll deliver those images via an online gallery where you and your colleagues can review and download the photos.

Later, you might ask for additional services like retouching and compositing, although your team usually handles that work in-house or through your agency. However, if you need me to handle that work, I’m available.

Houston Industrial Photographer

As a Houston industrial photographer, I understand how to document areas usually hidden from the public and your clients and create powerful storytelling photographs that further your brand.

Whether you need photos of equipment, heavy machinery, precision tools, mechanical systems, facilities, people, or a mixture of all six, I’m your guy. I’ve photographed industrial photography projects in factories, manufacturing facilities, construction sites, power plants, wind farms, solar fields, warehouses, laboratories, transportation depots, and clean rooms. I want to photograph your project, too.

Energy Company Photographer

Houston is widely known as the Energy Capital of the World because of its strategic location and high concentration of energy companies, so it’s no surprise that my commercial photography focuses heavily on exploration, production, transmission, supply, and technology.

I’ve created extensive photography for utility companies, oil and gas companies, power companies, and renewable energy companies. For example, I’ve photographed transmission towers, onshore drilling rigs, refineries, petroleum products, solar farms, wind farms, and the people who work them.

The only work in this sector that I haven’t done, but I want to do more than any other, is to travel to and spend a week photographing work on an offshore drilling rig, production platform, or drillship. If you need this work done, contact me today and let’s make a deal.

Healthcare Photographer

I provide photography for hospitals, medical schools, and primary care providers like family physicians, specialty care providers like cardiologists, mental health professionals like counselors and psychologists, and affiliated health professionals like physical therapists and laboratory technicians.

My people-first approach means your healthcare professional photography will reflect the best in who they are and what they do through natural and authentic photography. Whether you need physician portraits or candid surgery coverage, I’ll deliver photographs representing the best of your profession.

When you need dynamic healthcare photography, I’m eager to learn about your people and processes so I can represent them accurately and visually in my medical photographs. My understanding guides my visual approach.

During our project, I’ll also pay close attention to your Workplace Health and Safety (WH&S) guidelines and Health Insurance Portability and Accountability Act (HIPAA) rules. Patient rights, privacy, discretion, and security are my highest priority.

Houston Advertising Photographer

Agencies and savvy marketing departments hire me as their photographer when they need better-than-average (or downright awesome) advertising photography for campaigns, promotional materials, visual branding, annual reports, corporate sustainability reports, image libraries, or similar commercial imagery.

I am deeply familiar with business marketing and business processes, and those considerations help me think functionally and creatively when promoting brands through my commercial advertising photography.

Panoramic Photography

I’m your best choice when you need a panoramic photographer for your commercial photography project. I’ve been using advanced panorama techniques for 20+ years and own some of the best gear available, allowing for multi-row and 360-degree panoramas of the highest quality.

With my equipment and experience, I’ll provide you with zero distortion, highly detailed images that wouldn’t be possible if I were using only wide-angle lenses. You’ll be able to zoom, zoom, zoom in and see everything.

Although panoramas are most common in real estate, architecture, and interior design projects, I’ve also created commercial images featuring landscapes and tourist destinations. Developers, architects, and event venues have used those images.

Commercial Video

If you need short video clips of our still photography setups, I can provide basic RAW B-roll footage for an additional fee. However, this footage is straight out of the camera without corrections or edits.

However, if you need substantive, dynamic industrial, commercial, or location-based footage captured by a dedicated videographer working alongside me, then I have a great solution. Check out our example videos or learn more about our videographer services.

If you don’t need a turnkey solution and want to hire your own videographer, I can refer you to local commercial video teams when you need recommendations.

Commercial Director

With the lines blurring between photography and video, and since I also offer both still photography and commercial videography, plus given my work on set, some folks might call me a commercial director.

That means that on some projects, I might oversee styling, lighting, art direction, crew, and talent. Just don’t ask me to direct your next music video or feature film. I’m not that kind of director.

I’ll use composition, lighting, emotion, movement, and depth of field to guide viewers to the story we want them to see. And I’ll use emotional direction to guide employees or talent in ways that bring out the best in their posing, body language, and expression.

Working with Models

I know how to work with people—whether they’re models, extras, employees, agency contacts, or C-level executives. I actively listen, communicate clearly, and respect everyone.

Rob was great to work with! He took photos of our team in a challenging warehouse setting but [he] provided great recommendations and the photos came out great! — Jonathan Shover

When photographing subjects, I offer positivity, encouragement, and clear direction. With smooth collaboration, we’ll achieve superior results.

If you’re looking for models, you might consider reaching out to one of my favorite modeling agencies.

Tethering

When you need to see my photographs in real time as they’re created, I offer a tethering solution. I connect my cameras wirelessly to two iPad displays or via cabling to my notebook computer, and you can view my work.

You can then provide me with real-time feedback and guidance, ensuring that the photographs I create align exactly with your vision. We can also share that work with your employees or talent, so we increase their confidence or provide visual direction on changes we might need to make.

This means that you’ll have the photos you need before I leave, and you reduce the likelihood of any reshoots. That being said, and I don’t mean to brag, but I’ve never had to do a reshoot on any commercial or industrial photography project.

Safety First, Safety Always

I’ll follow your functional standards, best practices, and style guide while creating powerful, authentic, and engaging images representing your brand.

I’ll also do no harm. This phrase means my conduct reflects the highest safety standards, compliance, and respect for clients, customers, and agencies. If I observe an unsafe or non-compliant situation, I’ll speak up immediately, notifying your staff and intervening independently when necessary. I understand what it means to have Stop Work Authority (SWA).

Where appropriate, and when you make it available, I’ll review your documentation that outlines any job safety considerations or potential hazards. That includes attending on-site safety briefs or special training like HUET, BOSIET, MIST, or HSE. I’ll also closely follow your Current Good Manufacturing Practices (cGMP) regulations.

My Transportation Worker Identification Credential (TWIC) is current; it expires on May 31, 2029. That program certification allows me to access secure areas in maritime facilities and vessels, including ports, port facilities, boats, ships, and continental shelf facilities. 

I also have trauma and lifesaving training and will bring that to your project. I carry a CAT 7 tourniquet in my bag, two more in my vehicle, and a professional-grade trauma kit. Although my skills aren’t a substitute for a first responder, I can render substantial aid until help arrives.

If your project requires a site survey or recce for estimating, pre-photography planning, or risk assessment documentation, you can add that to your project plan, and I’ll include that additional work in your estimate or project costs.

I’m currently completing the OSHA 10-Hour General Industry Course (meeting OSHA 29 CFR 1910 standards). That training means that I have essential workplace safety knowledge that helps me recognize, avoid, abate, and prevent common hazards.

I’ve completed OSHA Fall Protection Training for Construction and General Industry from an OSHA-approved training center. This certification allows me to safely work from ladders, lifts, mobile elevating work platforms (MEWPs), scaffolding, and roofs.

I’m also familiar with both passive and active fall protection systems, including personal fall arrest systems (PFAS) like full-body harnesses and lanyards, lifelines, or self-retracting lifelines (SRLs, aka yo-yos). This safety-gear familiarity includes stairway and ladder safety considerations.

I prefer platform ladders for ladder work stability, although I use A-frame ladders on many projects. When ascending or descending ladders, I use a two-camera strap system so I can easily maintain three points of contact.

I’ve also worked from aerial lifts like vertical towers (scissor lifts), extensible booms, articulating booms (knuckle booms / up-and-over booms), and telescopic stick booms.

I pay close attention to safety monitor personnel instructions and listen to and obey your company’s designated competent person. Before arriving on-site, I’ll review any company-specific fall protection plans, watch any required safety videos, or attend safety briefings. Additionally, I’ll observe all administrative controls that follow your safety culture. I understand that safety is our #1 priority when working on your project.

Personal Protective Equipment (PPE)

I own top-of-the-line and well-maintained Personal Protective Equipment (PPE). This PPE ownership means I’m immediately available and fully prepared to work safely as a commercial photographer in industrial or construction environments. It also means that I take commercial photography seriously.

Since the gear is my own, it fits correctly, and I’m familiar with it. That means you’ll realize several benefits. Specifically, on day-long projects where I wear PPE for countless hours under challenging conditions, I’ll be more comfortable than with borrowed gear and thus better able to concentrate on delivering superior photography.

PPE Gear List

My personally owned PPE equipment includes:

  • Thorogood American Heritage Steel Safety Toe Boots (meets ASTM F2413-18, ASTM F3445-21, ASTM F2413-18, and ASTM F2892-18)
  • New Balance 589 ESD Work Sneaker (meets ASTM F2413 and Section 6 of the ANSI Z41; also meets ASTM F2412-11 & ASTM F2413-11 I/75 and C/75 impact and compression safety standards)
  • Lift DAX Carbon Fiber Full Brim Black Hard Hat (meets ANSI Z89.1-2014 requirements for Type 1, Class C)
  • Oakley SI Shocktube Prescription Ballistic Glasses (meets ANSI Z87.1)
  • RX Safety RX-F126 Prescription Safety Glasses (meets ANSI Z87+ high impact rated)
  • Honeywell UVEX Safety Goggles (meets ANSI Z94.3-2015; EN166; EN168)
  • Honeywell Full-Facepiece Respirator (76008A) w/ Organic Vapor P100 Respirator Cartridges (7581P100L)
  • 3M Rugged Comfort Half Facepiece Reusable Respirator (6503/49491)
  • 3M P100 Respirator Filters (60923)
  • 3M P100 Particulate Filters (2091)
  • 3M Particulate Respirator 8210, N95
  • Bulwark Nomex Flame Resistant Concealed Snap-Front Lab Coat (6 oz. [205 g/m²] Nomex® IIIA CAT 1 Arc Rating ATPV 5.2 cal/cm2)
  • Tilsatec Cut, Puncture & Abrasive-Resistant Gloves TTP091SNF-KG (meets ANSI Cut A5, ANSI Puncture 5)
  • Magid Griffin Gear Hyperon Blended NitriX Grip Technology Palm Coated Touchscreen Gloves (meets ANSI Cut Level A3)
  • Mechanix Wear M-Pact Touchscreen Capable Safety Gloves
  • PIG Alpha Full Dexterity Tactical Gloves
  • PIG Delta Full Dexterity Utility Gloves
  • PIG Full Dexterity Cold Weather Gloves
  • Refrigiwear Cold Protection Gloves Fleece Lining 0250-251
  • Ansell HYFLEX® 11-250 Arm Protection Sleeves (ANSI A3 and EN ISO B Cut Protection)
  • ToughBuilt Gelfit Knee Pads (TB-KP-G3)
  • 3M Peltor Comtac VI NIB Hearing Defender Headset (meets ANSI S3.19-1974 for steady-state noise and ANSI S12.42-2010 for impulse noise protection)
  • Ariat FR Air Henley Shirt (CAT 2 rated, NFPA 2112, ARC rated 8.7 cal/cm2, and meets NFPA 70E/ASTM F1506)
  • Ariat FR M5 Straight DuraStretch Truckee Stackable Straight Leg Jeans (CAT 2 rated, NFPA 2112, ARC rated 20 cal/cm2, and meets NFPA 70E/ASTM F1506)
  • Ariat FR Polartec Balaclava Black (CAT 2 Rated, 15 cal/cm2 ARC Rated, NFPA 70E Compliant, NFPA 2112 Compliant)
  • Truewerk B1 Short Sleeve Tee, Viz Yellow
  • Truewerk B1 Long Sleeve Tee, Viz Yellow
  • Truewerk B1 Short Sleeve Tee, Viz Orange
  • Truewerk B1 Long Sleeve Tee, Viz Orange
  • Korbana FR Nomex IIIA Hardhat Shell Liner Cowl
  • Tempo UNO-III Fire Fighting Hood (PBI Blend/NOMEXIII)

I’ll pay close attention to subjects in environments where PPE is required and always check with the art director, supervisors, or personnel to help ensure that the proper PPE appears in your photos. This PPE mandate means that people in the same photo should wear the same PPE and that all PPE is in good condition.

We’ll ensure that subjects are safe and don’t violate safety rules. Rule examples include subjects in vehicles should be wearing seatbelts, subjects on stairs should be holding handrails, and all equipment should appear tidy and organized.

Frequently Asked Questions (FAQ)

Here are a few of the most common questions asked by clients who want to hire me as a commercial photographer and an industrial photographer.

For a full accounting of what is included in my commercial photography and industrial photography, please check out my commercial photography pricing page for line-item details.

Yes. Every industrial location I work in is hazardous. That’s part of the job when you’re an industrial photographer.

I have an incredible collection of camera equipment purposefully purchased for commercial photography. In fact, some of my many lenses are only used for commercial and industrial photography.

Absolutely. My drone operator is available for still photography only, video only, or video plus still photography. Check out my commercial videographer page for more information.

In my career as a commercial photographer, I’ve made many doors-off helicopter flights. I’ve even taken flights for my personal landscape photography. If you want me to pull an Arnold Schwarzenegger and to “get to the choppa,” I’m down.

I don’t usually visit locations before project inception because smartphone photos from your team usually provide me with enough information to visualize and create a photography plan. However, if you really want it, I’m happy to offer location scouts before your project commencement, but I charge $200 per hour for those services.

The amount of time I’ll need to photograph your project will depend on your requests. The shortest commercial or industrial project that I’ll accept requires a three-hour commitment. The longest commercial project I’ve photographed took eleven days of photography and two days of location scouting.

That answer will depend on the weather and the services you’ve ordered. For example, if you require drone-based operations, we’re subject to the wind and rain. For outdoor activities, in certain environments, heat or cold could become issues. We’ll take each project on a case-by-case basis.

I love it when clients prepare a thorough shot list. However, most clients don’t, so most of the work you see in my commercial photography portfolio was created spontaneously.

I don’t often create mood boards, but agencies usually give me access to their mood boards on essential projects, and that access is always super helpful.

I charge additional fees for retouching. Check out my people-retouching and product-retouching information for those details.

Every agreement includes unlimited usage for your photos. That means you can use them anywhere for any reason or purpose.

My schedule can fill up quickly, but I also have several days of open availability every month. Contact me right now, and we can start examining whether your preferred dates align with my availability.

Absolutely, but for a good idea as to who I’ve worked with before, you might want to take a gander at my client list. It’s extensive and should set your mind at ease.

I’m not a fussy photographer. You can stand alongside me and look over my shoulder at my viewfinder. You can also ask questions, give directions, or offer suggestions.

I’ve worked with art directors and creative directors from major agencies and brands. I enjoy the process because I learn new things, and I love learning. If you’re an AD or CD, I’d like to work with you, too.

I might be a unicorn, but I love it when experienced ADs and CDs work closely alongside me. When they’re by my side, they can see my camera viewscreen as I compose images and instantly confirm that those captures meet their vision. If they need me to adjust, they can point me in a new direction immediately.

Alternatively, some ADs and CDs might prefer a hands-off approach and direct or review from afar. That’s fine, too. I’m a photographer so I absolutely have an ego, but on a job, I’m all about creative collaboration.

Certainly. Whether you need a bounce loop or a repeat loop, I’m familiar with the techniques necessary to achieve engaging and dynamic animations.

I don’t tether as frequently as I’d like because my projects typically include moving quickly between locations and creating volume photography. That makes it much more difficult to tether effectively.

However, for projects where time is available, the need is stated, and we’re not moving too quickly, I can supply tethered connections allowing for your instant review of your project deliverables.

I have a pretty incredible tethering setup if you’d like to take a look at my tethering equipment list.

Yes. Every commercial photography or industrial photography project requires a signed agreement.

I’ve created several stock photography libraries for past clients. If you need a similar library, I’ll create one for you, too!

When brand consistency is important, I’ll review your online assets and follow any style guides that you make available.

With my 20+ years of commercial photography experience, unexpected challenges don’t happen often because I’ve seen so much happen over my time behind the camera. However, when the unexpected does happen, I adjust to the moment and do what needs to be done to achieve your project’s goal. And like Ford Prefect, I never panic.

I don’t talk about them, and I have a special folder on my hard drives for those projects, so once they’re delivered, they never see the light of day again.

I’ve developed getting-ready instructions for commercial projects that you might find helpful.

Absolutely. Contact me today if you have a project in Dallas, Austin, San Antonio, or anywhere else in the world. Have passport, will travel.

Have you carefully reviewed my commercial photography portfolios, including people at work photography, product photography, and places photography?

Did you like what you saw?

Have you read my hundreds of reviews either on my site or on Google/Yelp? Did you see what’s included on my commercial photography pricing page? Did you read the 3500+ words on this page that describe my services and approach?

Is that enough? If not, contact me today and let’s chat so I can help you feel more comfortable selecting me for your project.

Geocoding embeds latitude and longitude in photo metadata. This embedding allows for categorization by geographic coordinates enabling map plotting context.

I often employ this technology when performing aerial photography for insurance or energy companies, but I can also tag your photos with this technology on request. If you prefer, I can also provide image files with longitude and latitude in the filename.

Although I’ve been approached for agency representation, that model doesn’t align with my business model, especially since my calendar is already full.

Even with representation, there’s no guarantee that those folks will bring more work. Some agencies also ask for commissions on all work, even work that I acquire on my own. They also sometimes limit where I can market my commercial photography and how I price my services.

Also, without representation, you’ll realize some significant cost savings. Most agents ask for a 15% to 30% commission. Those additional costs are passed on to you, just like tariffs. So, with agency representation, you’d be paying more for my work.

That said, I’d consider agency representation if the right opportunity presented itself. If you’re an agency signing commercial photographers, message me. I’m listening.

I know how to meaningfully engage your employees, whether inside or outside, at a desk or on a rig. I have a nuanced understanding of the varying communication styles unique to these groups.

The overarching personality style for all groups is based on my authenticity. I establish rapport by showing genuine interest in their work, respecting their craft and time, and mirroring their messaging and tone.

For example, with a C-level executive, I might use lightweight humor with respectful, polite language to bring out what I need from their personality so I can photograph them authentically.

Similarly, with tradespeople or construction crews, I’m informal and gritty in my language. And, if I’m photographing those folks long enough, I hope they’ll see me as one of them—just another guy out there doing some hard work.

I’ve worked in similar heavy industries, so I know how to use self-deprecating humor, lingo, and patter to gain their respect. I also know how to appropriately respond to ribbing, sarcasm, and dark humor without stepping over lines set by your human resources department.

Finally, as I photograph any project, I’ll show your employees the back of my camera so they can gain confidence that they look amazing and confident in their work. And my ability to give easy-to-follow direction is legendary.

How to Hire Me

Contact me today to discuss your project goals, budget, timelines, and deliverables. I’ll exceed your expectations. I’m also available for commercial photography work in Dallas, Austin, and San Antonio. And I’ll go anywhere cars drive, planes fly, choppers hover, or ships float.